Aimlessly wandering the divides between high art and lowbrow, old school and new media, town/country, good/bad, Leon’s work invites definition, but it so often declines to attend.

Darkly humorous, satirical and theatrical beyond theatricality, he avoids commercialization, eschewing specialization, and with it the fame and fortune in exchange for the sheer joy of following his darling heart and mind to some of the less interesting and exotic places they take him.